A Detailed Analysis of Mental Illness and Madness within One Flew over Dissertation

A Detailed Analysis of Mental Illness and Madness within One Flew everyplace the Cuckoos populate and Rain Man - Dissertation ExampleOne Flew Over the Cuckoos Nest 3.1 The context of the book and the hit 3.2 The ikons representation of mental illness 3.3 The reply of the film 4. Rain Man 4.1 The context of the film 4.2 The films representation of mental illness 4.3 The reception of the film 5. Conclusion Bibliography A detailed compendium of mental illness and madness as they atomic number 18 presented within One Flew Over the Cuckoos Nest and Rain Man.1 Introduction Every tender-hearted society draws boundary lines between different categories of people, and the fictional works that are produced in each propagation both reflect and contest these prevailing categorisations.This study examines the concept of mental illness, sometimes labelled as madness, deviance, or disability, with particular reference to the way that these issues are represented in two films.The literature round off in section 2 explores the history of madness, and the extensive theoretical literature on madness as a affable phenomenon first of all, and then examines its literary and film representation, showing how films represent tensions and changes in hearty categorisations.Theoretical debates on the subject are telld, and the ambivalence of contemporary society towards mental illness is explained in the baseless of these at times conflicting perspectives.This retrospect therefore provides a firm theoretical foundation for analysis of the representation of madness in films.... two films and their reception are compared, showing how an exploitation in social attitudes towards mental illness has taken place over the last fifty years in the join States, and arguably also across the Western world which is heavily influenced by mass market films much(prenominal) as the two under discussion in this study. The implications of this change for modern Western societies are conside red, as well as the limitations of these filmic representations and the considerable tensions and ambiguities which still remain and are carried into the new millennium. 2. Literature review in that location is a vast literature on the way that madness has been defined and dealt with throughout history, and another massive amount of material available on literary and cinematic representations of madness. It would not be feasible to bulk large all of this ground and so for the purposes of the present study a two part literature review will suffice. Part one deals with the history of madness and therapeutic treatments meted out in different diachronic periods, with an emphasis on the last two hundred years. The contribution of psychology and sociology are discussed, and the gradual evolution from an absolute concept of madness to a more relative concept of mental illness is described. In part two the role of fictional representations of madness is discussed, showing how they both reflect prevailing survey and in some cases also challenge it. The particular context of modern mass market film is emphasised, with some the underlying theories about its role in contemporary society. The scope of the literature review is to summarise early theories very briefly and concentrate on the period immediately after the Second mankind War, and on the debates and issues that were important in the specific context